Mackie MR5



Mackie MR5
5"



Power and Performance, at an Unbelievable Price

When you’re ready to make the switch to pro studio monitors, there are many things you need to consider. For instance, it’s up to you to create a mix that works on a variety of speakers—one that translates to boomboxes, home and car stereos, even headphones and portable music players. So you need monitors that deliver a neutral starting point, and sound that is clear across the frequency spectrum. You also want monitors with consistent performance, so whether you’re on axis or off, cranking ’em up or turning ’em down low, what you’re hearing is accurate. And you want all this at a reasonable price.

Mackie MR8 and MR5 Studio Monitors deliver truly professional quality and everything you need for critical monitoring—at a price that’s unbelievably affordable. Wide, even dispersion means a broad sweet spot, minimizing funny dips or peaks in frequency response when you move off axis. You get superior bass extension—tight and free from distortion—so your lows pack just the right amount of punch. And to ensure the best sound possible for your setup, the MR Series monitors feature acoustic controls so you can tune them to fit your room. With their Active bi-amplified architecture, wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity, for a truly inspirational, non-fatiguing monitoring experience.

Our MR Series monitors achieve their transparent sound quality thanks to these key design elements:

BaffleMinimum-Diffraction Molded Baffle

When it comes to baffle design, shape matters; it plays a role in how sound waves travel. Our baffle is precisely molded to minimize diffraction, so sound waves radiate smoothly, and are dispersed optimally. Our precision waveguide is designed to ensure broad, even dispersion, and a smooth transition between highs and lows. The result is a crystal clear image of your mix, with an ultra-wide, even sweet spot. Whether you’re in mix position or not, on axis or off, you’ll always hear an accurate representation of your mix.

AmplifierAmplifier Design

Amplifiers are the power behind a monitor’s sound, but they can also color it. Unlike with passive monitors, our amplifiers are precisely matched to the monitor design. Featuring our proven Class A/B architecture, the MR Monitors’ amplifiers are meticulously tuned to deliver ultra-flat frequency response, so the sound remains neutral. To compensate for room characteristics, acoustic controls allow you to adjust High Frequency and Low Frequency settings (+/-2dB). Balanced inputs allow you to get the best signal possible, but the option of unbalanced inputs mean you can connect easily to any source. And MR Monitors deliver enough power to handle the toughest source material, at sound levels beyond sane people’s requirements.

Cabinet

A speaker’s cabinet is more than just an enclosure—it’s another component that affects the overall quality and character of the sound. Our cabinet features a rear port, carefully tuned to deliver superior bass performance with no audible vent noise. Because air passes through the precisely engineered curved port easily, there is no distortion, and no build-up of pressure within the cabinet that could affect driver movement. The rigidity of the cabinet’s precision-braced MDF construction also prevents vibration, meaning your sound is always free from unwanted resonance.

WooferTransducers

Transducers are responsible for converting your electrical signal into sound, so consistent, unwavering performance is a must if you want sonic clarity. We specifically create our ultra-low distortion steel frame woofers and waveguide-loaded silk dome tweeters to work perfectly in concert with all the components in each MR monitor. You get a precisely tuned monitor that performs with impeccable consistency.

Applications

MR Series Monitors are ideal for a variety of applications. Use the MRs to empower your mixes in the studio, or to add pro sound to your multimedia, gaming or home theatre system. You can even use them for a great-sounding home DJ rig. The MR5 and MR8 Monitors share the same design, so they function great together, too, making them optimal for multiple monitor setups—just add a Big Knob —as well as surround systems. For any applications where high quality sound and classic good looks are required, MR monitors are the perfect fit.

Our Reputation Speaks for Itself

We don’t mean to toot our own horn, but there’s a reason serious pros love Mackie gear. With every product we release into the wild—from monitors to loudspeakers to mixers—we up the ante on performance, reliability and affordability. Our innovation and commitment to great sound is why so many of our products are top sellers, and why our gear has legions of enthusiastic devotees.

Okay, that sounded a little like a toot. But the point is, we make great stuff and we’re proud. And we’re really proud of our MR Series. Sure, there are lots of other affordable so-called studio monitors out there, but they just don’t cut it when compared to our MR Series—and they aren’t backed by our years of experience. Thanks to our hardworking and knowledgeable audio experts, we’ve once again set a whole new standard. Simply put, our MR5 and MR8 Monitors sound and perform better than anything else in their class…. But with the Mackie name, what else would you expect? Go hear the difference for yourself at a dealer today.

Studio monitor with true Active design
Precision Class A/B amplifiers with Active protection circuits: 55W for LF / 30W for HF
HF and LF acoustic controls for room correction
Balanced XLR, TRS and unbalanced RCA inputs
Ultra-low distortion 5.25-inch steel frame LF transducer
Waveguide loaded 1-inch high-resolution HF transducer
Minimum-diffraction molded baffle for smooth, wide sweet zone
Magnetically shielded for safe placement near computer/video monitors
Precisely tuned for working interchangeably with other MR units

Mackie MR8



Mackie MR8
8"



Power and Performance, at an Unbelievable Price

When you’re ready to make the switch to pro studio monitors, there are many things you need to consider. For instance, it’s up to you to create a mix that works on a variety of speakers—one that translates to boomboxes, home and car stereos, even headphones and portable music players. So you need monitors that deliver a neutral starting point, and sound that is clear across the frequency spectrum. You also want monitors with consistent performance, so whether you’re on axis or off, cranking ’em up or turning ’em down low, what you’re hearing is accurate. And you want all this at a reasonable price.

Mackie MR8 and MR5 Studio Monitors deliver truly professional quality and everything you need for critical monitoring—at a price that’s unbelievably affordable. Wide, even dispersion means a broad sweet spot, minimizing funny dips or peaks in frequency response when you move off axis. You get superior bass extension—tight and free from distortion—so your lows pack just the right amount of punch. And to ensure the best sound possible for your setup, the MR Series monitors feature acoustic controls so you can tune them to fit your room. With their Active bi-amplified architecture, wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity, for a truly inspirational, non-fatiguing monitoring experience.

Our MR Series monitors achieve their transparent sound quality thanks to these key design elements:

BaffleMinimum-Diffraction Molded Baffle

When it comes to baffle design, shape matters; it plays a role in how sound waves travel. Our baffle is precisely molded to minimize diffraction, so sound waves radiate smoothly, and are dispersed optimally. Our precision waveguide is designed to ensure broad, even dispersion, and a smooth transition between highs and lows. The result is a crystal clear image of your mix, with an ultra-wide, even sweet spot. Whether you’re in mix position or not, on axis or off, you’ll always hear an accurate representation of your mix.

AmplifierAmplifier Design

Amplifiers are the power behind a monitor’s sound, but they can also color it. Unlike with passive monitors, our amplifiers are precisely matched to the monitor design. Featuring our proven Class A/B architecture, the MR Monitors’ amplifiers are meticulously tuned to deliver ultra-flat frequency response, so the sound remains neutral. To compensate for room characteristics, acoustic controls allow you to adjust High Frequency and Low Frequency settings (+/-2dB). Balanced inputs allow you to get the best signal possible, but the option of unbalanced inputs mean you can connect easily to any source. And MR Monitors deliver enough power to handle the toughest source material, at sound levels beyond sane people’s requirements.

Cabinet

A speaker’s cabinet is more than just an enclosure—it’s another component that affects the overall quality and character of the sound. Our cabinet features a rear port, carefully tuned to deliver superior bass performance with no audible vent noise. Because air passes through the precisely engineered curved port easily, there is no distortion, and no build-up of pressure within the cabinet that could affect driver movement. The rigidity of the cabinet’s precision-braced MDF construction also prevents vibration, meaning your sound is always free from unwanted resonance.

WooferTransducers

Transducers are responsible for converting your electrical signal into sound, so consistent, unwavering performance is a must if you want sonic clarity. We specifically create our ultra-low distortion steel frame woofers and waveguide-loaded silk dome tweeters to work perfectly in concert with all the components in each MR monitor. You get a precisely tuned monitor that performs with impeccable consistency.

Applications

MR Series Monitors are ideal for a variety of applications. Use the MRs to empower your mixes in the studio, or to add pro sound to your multimedia, gaming or home theatre system. You can even use them for a great-sounding home DJ rig. The MR5 and MR8 Monitors share the same design, so they function great together, too, making them optimal for multiple monitor setups—just add a Big Knob —as well as surround systems. For any applications where high quality sound and classic good looks are required, MR monitors are the perfect fit.

Our Reputation Speaks for Itself

We don’t mean to toot our own horn, but there’s a reason serious pros love Mackie gear. With every product we release into the wild—from monitors to loudspeakers to mixers—we up the ante on performance, reliability and affordability. Our innovation and commitment to great sound is why so many of our products are top sellers, and why our gear has legions of enthusiastic devotees.

Okay, that sounded a little like a toot. But the point is, we make great stuff and we’re proud. And we’re really proud of our MR Series. Sure, there are lots of other affordable so-called studio monitors out there, but they just don’t cut it when compared to our MR Series—and they aren’t backed by our years of experience. Thanks to our hardworking and knowledgeable audio experts, we’ve once again set a whole new standard. Simply put, our MR5 and MR8 Monitors sound and perform better than anything else in their class…. But with the Mackie name, what else would you expect? Go hear the difference for yourself at a dealer today.

Studio monitor with true Active design
Precision Class A/B amplifiers with Active protection circuits: 100W for LF / 50W for HF
HF and LF acoustic controls for room correction
Balanced XLR, TRS and unbalanced RCA inputs
Ultra-low distortion 8-inch steel frame LF transducer
Waveguide loaded 1-inch high-resolution HF transducer
Minimum-diffraction molded baffle for smooth, wide sweet zone
Magnetically shielded for safe placement near computer/video monitor
Precisely tuned for working interchangeably with other MR units

Mackie HRS120


Mackie HRS120
12" Studio Subwoofer



Studio Quality Active Subwoofer Technology.

If you're putting together a matched system, the HRS120 is designed to work in perfect harmony with our HR824, HR624 and HR626 Active Near Field Monitors. The THX-approved Mackie HRS120 is a 12" Active subwoofer ideal for applications where precise, low frequency reproduction, and flexible monitoring are a must. Designed for professional recording studios and film/video surround post-production facilities that require extremely accurate bass extension to 19Hz and below, the HRS120 is also an excellent choice for home theater surround sound installations.

BUILT-IN FR SERIES POWER AMPLIFIER

What better way to power the subwoofer than with one of our acclaimed FR Series "Fast Recovery" power amplifiers? Our FR design uses low negative feedback, yet allows the amplifier to maintain low distortion and stability, even when driven into clipping. We built a beefy 400-watt FR amplifier for the HRS120, capable of extracting the maximum "thumpage" from the premium-quality 12" LF driver, without driving it into meltdown. Which brings us to the speakers...

THE TRANSDUCERS

The HRS120 subwoofer features a bottom-firing 12" die-cast frame woofer and a 12" passive radiator in the front. The unique passive radiator design provides a smooth response down to 19Hz—an astounding accomplishment for a cabinet of this size! And since the radiator is adding to the output at the lowest frequencies, very little distortion is generated because the woofer stays well within its excursion limits.

VERSATILITY

The HRS120 subwoofer features a bottom-firing 12" premium, die-cast frame woofer and a 12" passive radiator mounted in the front. This unique design provides smooth response all the way down to 19Hz—an astounding accomplishment for a cabinet this size! Since the passive radiator's output is effectively coupled to the room's air mass, the woofer stays well within its excursion limits, producing distortion-free deep, rich bass.

VALUE OVER PASSIVE SYTEMS?

Passive loudspeakers require external power amps, crossovers, and equalizers, costing you extra money—and unless you're an electronics engineer, you just might be over- or under-powering your system, which could lead to expensive repairs! Since all necessary processing and amplification is included within its enclosure, the HRS120 stands out as an exceptional value. You can rest assured that all components are perfectly matched for performance and reliability—and thanks to our advanced manufacturing techniques, Mackie HRS120s deliver "high-end" performance without the high-end price tag. Just bring your favorite CD* to a nearby dealer and compare them side-by-side with the competition. You'll hear the difference right away.

* Please, no iPods. We love 'em too, but compressed music files aren't going to give you an accurate read on the bottom-end these monitors can deliver.

Specifications

Acoustic Performance
Free field frequency response
21Hz - 150Hz ±1.5dB
LF cut-off frequency
-3dB at 19Hz
Sound Pressure Level @1 meter, 7.5dBu into balanced input
100dB SPL@1m
Transducers
Low frequency
12-inch (305mm) RCF Precision™, extended LF transducer with 4-inch voice coil and cast aluminum frame
Passive radiator
12"(305mm)
Amplifier
Power
400 watts, 8 Ohm load (500 watts peak)
Slew rate
>35V/µs
Signal-to-noise ratio
>107db, referenced to 350 watts into 8 Ohm
Distortion
THD/SMPTE/IMD/DIM100
<0.02%
Type
FR Series Class AB
Construction
Enclosure
3/4" (19mm) MDF with 1.25" (32mm) MDF top panel, internal bracing
Damping
Adiabatic foam
Controls
Subsonic Filter
flat/15Hz, 18dB/octave filter
Filter bypass
In/full range (THX)
Filter Select
Variable/110Hz elliptical
Polarity
0°/180°
Variable crossover
55Hz to 110Hz, 24dB/octave Linkwitz-Riley filter
Product weight & dimensions (without packaging):
Height
21" (533mm)
Width
18" (457mm)
Depth
21.3" (541mm)
Weight
94 lbs (42.6 kg)
Shipping weight & dimensions (with packaging):
Height
24.5" (622mm)
Width
23.75" (603mm)
Depth
26.25" (667mm)
Weight
105 lbs (47.63 kg)

Mackie HR626



Mackie HR626
Dual 6"



The Post-Production and Surround Studio Standard.

With more and more recording studios mixing to 5.1 and 7.1 surround sound, the need arose for a studio monitor that could handle some serious multi-tasking. Say hello to the Mackie HR626 — a THX-approved, 2-way Active reference monitor that provides the same accuracy of Mackie's HR824. When placed vertically, the HR626 has the same great sound and similar frequency response as our legendary HR824, with a smaller footprint. Also, due to its symmetrical left-right sound field, the Mackie HR626 is perfect as a center channel monitor for surround sound mixing or for high-end home theater applications.

With extremely even dispersion for a wide "sweet spot" and user-adjustable controls for a variety of acoustic spaces, the HR626 is found in hundreds of professional studios and in the home studios of top recording artists (see list at left).

D'APPOLITO DESIGN?

Some years ago, renowned audio engineer Joe D'Appolito started placing a single woofer on each side of the HF transducer, and using a third-order (or higher) crossover in his designs. The end result — proper phase control of the loudspeaker and the low frequency response was extended. We decided to use Joe's design principles for one simple reason—they work! That's why the Mackie HR626 has a 6.7" woofer on each end of the cabinet with a waveguide-loaded dome tweeter stuck right the center. The HR626 is the first Mackie Active studio monitor to incorporate D’Appolito design.

MACKIE ACTIVE DESIGN

The 100- and 40-watt FR (Fast Recovery) Series amplifiers inside the HR626 are clean, ultra-reliable — and most importantly, were specifically designed for these drivers. Our amps can drive these custom-tailored transducers to their limits without pushing them over the edge. Add to this our phase- and time-correction crossover and you’ve got one excellent sounding Active monitor. Frequency response is verifiably "ruler-flat" from 42Hz to 20kHz, with a 3dB down point at 40Hz. The Mackie HR626 is ideal for those who need lots of bottom-end and high-resolution midrange for mixing and vocal placement.

THUMPIN' BASS

Ask any bass player and they will tell you that smaller speakers respond to transient attacks much more quickly than their huge counterparts. (As long as they are designed to handle bass frequencies, that is.) That having been said, instead of using a single large woofer in the HR626, we chose to use two of our powerhouse 6.7" transducers (the same ones used in the HR624). Not only does this help the HR626 meet the D'Appolito design concept, dual LF drivers also move a larger column of air. Add to this our mass-loaded, rear-firing passive radiator and you've got extended low-end that just won't quit.

WAVEGUIDE-LOADED TWEETER

That unusual looking tweeter is actually our waveguide-mounted 1" aluminum dome HF transducer. (Try to say that five times fast.) The logarithmic waveguide works with the tweeter to ensure accurate, even dispersion of the high-frequency content, creating a much wider "sweet spot" than offered by most studio monitors. And Mackie HR626s won’t tire you out, even after hours of tracking and mixing.

MORE CONTROLS = MORE OPTIONS

On the rear panel of the HR626 you'll find some very useful controls:

Acoustic Space Control

Ideally, your monitor speakers should be placed well away from wall surfaces. But this isn't always easy in small project studios and video post suites. The HR626 has a 3-position switch that can be set for full space (way out from the walls), half-space (against a back wall), or quarter space (in a corner). The Acoustic Space Control, for accurate bass in a small control room.

LF Roll-Off

The HR626 plays considerably lower than most home stereo speakers can go. So we provided you with an 80Hz Roll-Off switch to temporarily disable extremely low bass when mixing for AM radios, boom boxes, and old people who rarely attend raves.

High Frequency

Although we expect that you have acoustic treatment in your control room (egg crates, wall carpets with dogs playing cards, etc.), there may be times you might be using the HR626 in larger, more live spaces such as a conference room. For these occasions, we've included a high frequency shelving control that reduces frequencies above 10kHz by 2dB. Conversely, in rooms where high frequency content is easily absorbed, a 2dB boost is available.

VERSATILITY

The Mackie HR624 is the ideal speaker for home project studios, smaller recording facilities, or anyplace where space is at a premium. And if you want even more bass, the HR626 was designed to work perfectly with the Mackie HRS120 Active Subwoofer system. For an outstanding home theater experience, combine an HR626 (center channel), a pair of HR624s (rear R/L), two of our HR824s (front R/L), and an HRS120 Active Subwoofer. Prepare to be blown away by your favorite movie without your feet sticking to the floor.

VALUE OVER PASSIVE SYSTEMS

Although HR626s deliver unparalleled performance, they aren't nearly as expensive as some of those "prima donna" studio monitors out there. Thanks to our advanced manufacturing techniques, Mackie HR626s deliver "high-end" performance without the high-end price tag. And when you compare them to passive monitors (requiring external power amplifiers, crossovers, and equalization), HR626s stand out as an exceptional value. Bring your favorite CD* to a nearby dealer and compare them side-by-side with the competition.

* Please, no iPods. We love 'em too, but compressed music files aren't going to give you an accurate read on the bottom-end these monitors can deliver.

FEATURES

Worldwide standard high-resolution professional studio monitor with true Active design
(2) 6.7" (170mm) high-precision, extended LF transducers; elliptical, rear-firing, mass-loaded, passive radiator for extended bass performance
1"(24.5mm) waveguide-loaded HF transducer with viscous, edge-damped aluminum dome and ferrofluid-cooled voice coil
True Active design with FR Series amplifiers—100W LF / 40W HF with onboard time- and phase-correction crossover
Low Profile design, ideal for left, fight, center (LRC) applications
Acoustic Space, LF roll-off and HF adjustment controls for use in matching the acoustic properties of any room
± 1.5 dB 42Hz-20kHz response guaranteed by calibration—includes individual, signed Calibration Certificate
XLR, 1/4" and RCA inputs
Full internal damping eliminates unwanted midrange artifacts
Non-fatiguing through hours of use
THX pm3 approved for 5.1 and 7.1 surround mixing and playback

Specifications

Transducers

Low-frequency driver

Number of drivers

2

Diameter

6.7 inches (170 mm)

Sensitivity (2.83V, 1m)

89 dB SPL

Nominal Impedance

8 ohms

Voice Coil Diameter

1.25 inches (32 mm)

Power Handling (Long Term/Program)

50/150 watts

Frequency Range

38Hz to 6kHz

Frame

Die Cast Aluminum

Magnet

Ferrite

Bucking Magnet (Shield)

Ferrite

High-frequency driver

Sensitivity (2.83V, 1m)

91 dB SPL

Nominal Impedance

6 ohms

Power Handling (Long Term/Program)

20/50 watts

Frequency Range

1.6kHz to 22kHz

Diaphragm/Suspension

Aluminum/Impregnated Cloth

Voice Coil Diameter

1.0 inch (25.4 mm)

Magnet

Ferrite

Bucking Magnet

Ferrite

Wave Guide
Frequency Response

2.5kHz to 20kHz, ±2dB

Mouth Size

6.13 inches diameter (156 mm)

Horizontal and Vertical Coverage

120°, ±10°
3kHz to 20kHz

Passive Radiator

6-inch x 9-inch (152 mm x 228 mm) mass-loaded elliptical flat piston with variable thickness filleted edge rubber surround.

Crossover Section
Crossover Type

Modified Butterworth, 18 dB/octave @ 1.8kHz

Acoustic Section
Free-Field Frequency Response

±1.5dB, 42Hz to 20kHz

Lower cutoff frequency

-3 dB @ 40 Hz

Upper cutoff frequency

-3 dB @ 22 kHz

Sound Pressure Level at 1 meter, -7.5dBu into balanced input

100 dB SPL @ 1m

Maximum peak SPL per pair

118 dB SPL @ 1m

Maximum short term SPL on axis, half space 80Hz to 2.5kHz

109 dB SPL @ 1m

Residual Noise (maximum gain, 600 ohms source, 20Hz-20kHz bandwidth)

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Rated Line Input Voltage and Power
Power Consumption
Standby mode

12 watts

Quiescent (idle)

20 watts

Musical Program, Loud mix

105 watts

Both channels driven into resistive loading to 1% clipping (LF 86 W/4 ohms source, 20Hz-20kHz bandwidth)

255 watts

US

120 VAC, 60Hz

Europe

240 VAC, 50Hz

Korea (AC Power Selector at 240V)

220 VAC, 60Hz

Japan (AC Power Selector at 120V)

100 V, 50-60 Hz

Rated Power (For UL-6500, CSA-E65-94, EN-60065)

130 watts

Amplifier Section
Low-frequency power amplifier
Rated Power (at 1kHz with 1% THD)

100 watts

In Japan (100 VAC)

67 watts

Rated Load Impedance

4 ohms

Slew Rate

15V/uS

Distortion (THD, SMPTE IMD, DIM 100)

<0.035%>

Signal-to-Noise (20Hz-20kHz, unweighted, referenced to 100W into 4 ohms)

> 101 dB

Cooling

Convection

Design

Monolithic IC, Class AB, Parametric Servo Feedback

High-frequency power amplifier

Rated Power (at 1Khz with 1% THD)

40 watts

In Japan (100 VAC)

28 watts

Rated Load Impedance

8 ohms

Slew Rate

15V/Us

Distortion (THD, SMPTE IMD, DIM 100)

<0.035%>

Signal-to-Noise (20Hz-20kHz, unweighted, referenced to 40W into 8 ohms)

>93 dB

Cooling

Convection

Design

Monolith IC, Conventional Class AB

System Specifications
Input Type

Balanced Differential (XLR and 1/4" TRS) Unbalanced (RCA)

Input Impedance

20k ohms Balanced
10k ohms Unbalanced

Input Protection

RFI and Level Protected

Input Sensitivity

+4 dBu @ 300Hz for full output

Maximum Input Level

+20 dBu

Low Cut Frequency

80Hz, 2nd Order, Butterworth

HF Equalization

Shelving ±2 dB @10kHz

Acoustic Space
A position

-4 dB @40Hz, shelving

B position

-2 dB @ 40 Hz, shelving

C position

flat

Compressor

Independent high and low frequency overload detection

Enclosure Alignment

6th Order

Over Excursion Prevention

2nd Order High-Pass Filter

Low Line Voltage Shut Down

67% of Nominal Line

Thermal Protection

Amplifier Shut-Down, Auto Reset

Muting

5 seconds at turn-on

Signal Sense Threshold

-74 dBu (0.155mV)

Driver Protection

Compressor with independent LF and HF overload detection

Weight and Dimensions
Height

8.8" (224 mm)

Width

20" (507 mm)

Depth(including amp)

12.4" (315 mm)

Weight

31.0 lbs (14.1 Kg)

Mackie HR624mk2



Mackie HR624mk2
6.7-inch

Back in the ’90s, our HR Series studio reference monitors revolutionized studio monitoring. With their incredible sound quality and affordability, they earned a wide and loyal following, fast becoming the industry standard. It was through our innovation, and commitment to great sound, that we managed to redefine the studio monitor. With that same ingenuity at work, we’ve reinvented our HR Series to bring you the new studio standard: the HRmk2 High Resolution Active Studio Reference Monitors.

The HRmk2s surpass the legendary performance of our classic HRs to deliver even better sound quality, in a stunning new package. The precisely engineered contours of the cast aluminum Zero Edge Baffle™ minimize diffraction for a crystal clear image of your mix, and control sound waves so you get detailed lows, full, articulate mids, and shimmering highs—whether you’re on axis or off. Working in concert with the baffle’s contours, the unique passive radiator design delivers astonishing bass extension that’s super-tight and always distortion-free. Wide, even dispersion of all frequencies, as well as incredible depth of field, allow you to accurately hear your mix, transforming your studio’s sweet spot into a full-on sweet zone. And the high-gloss piano black wood cabinet not only looks hot, but adds just enough warmth so your sound is true, not sterile.

Our HRmk2s were created with High Definition audio in mind—with such unbelievable sound quality, there’s little wonder why the HRmk2 Series was approved for THX pm3 compliance on its initial trial. THX pm3 Certification means that the HRmk2s have met the stringent standards set by THX Ltd.for outstanding performance, and that these monitors can be used with confidence by anyone seeking THX Certification for their studio, or striving to maintain THX standards.

We thought of every last detail, from consistency in sound from one HRmk2 monitor to the next, to an aesthetic design that unifies the whole HRmk2 family. Building on—and evolving from—our classic HR monitors' legacy of excellence, HRmk2s deliver superior performance and design, making them a truly pro monitoring solution for today's studio.

Up until the mid ’90s, there was no such thing as an affordable professional studio monitor. Even as more people began recording in homes and project studios, great sounding studio monitors remained cost-prohibitive. Home and project recordists resorted to using hi-fi speakers—some even cobbled together their own monitors using parts from consumer speakers and the local electronics store—with less than stellar results. We didn’t think this was fair—why should great sound be reserved for only those with a fat wallet?

We decided it was time to level the playback field. Our audio gurus got to work, combining their hard-won expertise to design a monitor that would at last make great sound accessible to the masses. After many long days—and late nights—the HR824 Active studio reference monitor was born. With its signature Active architecture and passive radiator design, the HR824 monitor delivered performance that impressed studio veterans and hobbyists alike—and was in reach of all their budgets. Soon HR824s were perched atop speaker stands in professional control rooms, project studios and bedroom studios all over the world. Following the success of the HR824, we developed the HR624, a compact version of our world-renowned original. Like its “big brother,” the HR624 earned a large and loyal following, and it, too, populated a wide range of studios. With their impeccable sound, enviable reputation and affordability, our HR Series changed what people expected of studio monitors, and challenged how our competitors designed theirs. Simply put, the HR Series became the new industry standard.

Since the release of the original HR Series in 1996, audio recording—and the studio environment—has changed by leaps and bounds. The greater bit depth and higher sampling rates afforded by digital audio mean recordings are more accurate than ever. Recording technology along every step of the signal chain has advanced, too, from microphones to DAWs, allowing for mixes with massive numbers of precisely captured tracks and huge amounts of processing. With these changes have come new challenges for—and expectations from—a studio monitor.

Today’s studio demands a monitor that can reproduce sound as precisely as it is recorded. The same innovation that launched our pioneering HR Series has led to the birth of just such a monitor—as well as a new studio standard. Meet the HRmk2.

Our HR824mk2 and HR624mk2 high-resolution Active studio reference monitors represent the evolution of revolutionary thinking. Our engineers, joined by audio gurus from EAW, worked hard to conceive of a way to preserve the all-important character of the original HR, while delivering performance—as well as appearance—that’s better than ever. And even moreso than the original HR824 and HR624, which were designed apart from each other, the HR824mk2 and HR624mk2 are part of the same family, true siblings in design and sound. Sharing the same engineering, they are created to work together, whether in surround systems, or as part of complementary monitoring setups in different sized rooms.

Specs

  • High resolution Active studio reference monitor
  • Ultra-linear frequency response for accurate mix translation
  • 6.7-inch high-precision, low-distortion LF transducer
  • 1-inch titanium dome, ferrofluid cooled tweeter
  • Optimized Waveguide for wide, even sweet zone
  • Twin FR Series amps — 100W for LF / 40W for HF
  • Cast aluminum Zero Edge Baffle™ minimizes diffraction
  • Full internal damping eliminates midrange artifacts
  • Passive radiator provides tight, articulate bass extension down to 45Hz
  • Acoustic Space, LF roll-off, and HF controls
  • Balanced XLR, TRS, and unbalanced RCA inputs
  • OmniMount™ ready for easy wall/ceiling placement
  • THX pm3™ certified for surround sound applications
  • Perfect for High-Definition audio, cinema and gaming systems

Mackie HR824mk2



Mackie HR824mk2
8.75-inch

Back in the ’90s, our HR Series studio reference monitors revolutionized studio monitoring. With their incredible sound quality and affordability, they earned a wide and loyal following, fast becoming the industry standard. It was through our innovation, and commitment to great sound, that we managed to redefine the studio monitor. With that same ingenuity at work, we’ve reinvented our HR Series to bring you the new studio standard: the HRmk2 High Resolution Active Studio Reference Monitors.

The HRmk2s surpass the legendary performance of our classic HRs to deliver even better sound quality, in a stunning new package. The precisely engineered contours of the cast aluminum Zero Edge Baffle™ minimize diffraction for a crystal clear image of your mix, and control sound waves so you get detailed lows, full, articulate mids, and shimmering highs—whether you’re on axis or off. Working in concert with the baffle’s contours, the unique passive radiator design delivers astonishing bass extension that’s super-tight and always distortion-free. Wide, even dispersion of all frequencies, as well as incredible depth of field, allow you to accurately hear your mix, transforming your studio’s sweet spot into a full-on sweet zone. And the high-gloss piano black wood cabinet not only looks hot, but adds just enough warmth so your sound is true, not sterile.

Our HRmk2s were created with High Definition audio in mind—with such unbelievable sound quality, there’s little wonder why the HRmk2 Series was approved for THX pm3 compliance on its initial trial. THX pm3 Certification means that the HRmk2s have met the stringent standards set by THX Ltd.for outstanding performance, and that these monitors can be used with confidence by anyone seeking THX Certification for their studio, or striving to maintain THX standards.

We thought of every last detail, from consistency in sound from one HRmk2 monitor to the next, to an aesthetic design that unifies the whole HRmk2 family. Building on—and evolving from—our classic HR monitors' legacy of excellence, HRmk2s deliver superior performance and design, making them a truly pro monitoring solution for today's studio.

Up until the mid ’90s, there was no such thing as an affordable professional studio monitor. Even as more people began recording in homes and project studios, great sounding studio monitors remained cost-prohibitive. Home and project recordists resorted to using hi-fi speakers—some even cobbled together their own monitors using parts from consumer speakers and the local electronics store—with less than stellar results. We didn’t think this was fair—why should great sound be reserved for only those with a fat wallet?

We decided it was time to level the playback field. Our audio gurus got to work, combining their hard-won expertise to design a monitor that would at last make great sound accessible to the masses. After many long days—and late nights—the HR824 Active studio reference monitor was born. With its signature Active architecture and passive radiator design, the HR824 monitor delivered performance that impressed studio veterans and hobbyists alike—and was in reach of all their budgets. Soon HR824s were perched atop speaker stands in professional control rooms, project studios and bedroom studios all over the world. Following the success of the HR824, we developed the HR624, a compact version of our world-renowned original. Like its “big brother,” the HR624 earned a large and loyal following, and it, too, populated a wide range of studios. With their impeccable sound, enviable reputation and affordability, our HR Series changed what people expected of studio monitors, and challenged how our competitors designed theirs. Simply put, the HR Series became the new industry standard.

Since the release of the original HR Series in 1996, audio recording—and the studio environment—has changed by leaps and bounds. The greater bit depth and higher sampling rates afforded by digital audio mean recordings are more accurate than ever. Recording technology along every step of the signal chain has advanced, too, from microphones to DAWs, allowing for mixes with massive numbers of precisely captured tracks and huge amounts of processing. With these changes have come new challenges for—and expectations from—a studio monitor.

Today’s studio demands a monitor that can reproduce sound as precisely as it is recorded. The same innovation that launched our pioneering HR Series has led to the birth of just such a monitor—as well as a new studio standard. Meet the HRmk2.

Our HR824mk2 and HR624mk2 high-resolution Active studio reference monitors represent the evolution of revolutionary thinking. Our engineers, joined by audio gurus from EAW, worked hard to conceive of a way to preserve the all-important character of the original HR, while delivering performance—as well as appearance—that’s better than ever. And even moreso than the original HR824 and HR624, which were designed apart from each other, the HR824mk2 and HR624mk2 are part of the same family, true siblings in design and sound. Sharing the same engineering, they are created to work together, whether in surround systems, or as part of complementary monitoring setups in different sized rooms.

Specs
  • High resolution Active studio reference monitor
  • Ultra-linear frequency response for accurate mix translation
  • 8.75-inch high-precision, low-distortion LF transducer
  • 1-inch titanium dome, ferrofluid cooled tweeter
  • Optimized Waveguide for wide, even sweet zone
  • Twin FR Series amps — 150W for LF / 100W for HF
  • Cast aluminum Zero Edge Baffle™ minimizes diffraction
  • Full internal damping eliminates midrange artifacts
  • Passive radiator provides tight, articulate bass extension down to 35Hz
  • Acoustic Space, LF roll-off, and HF controls
  • Balanced XLR, TRS, and unbalanced RCA inputs
  • OmniMount™ ready for easy wall/ceiling placement
  • THX pm3™ certified for surround sound applications
  • Perfect for High-Definition audio, cinema and gaming systems

Mackie



Studio Monitors

Mackie HR624mk2 6.7-inch
Mackie HR824mk2 8.75-inch
Mackie HR626 Dual 6"
Mackie HRS120 12" Studio Subwoofer

Mackie MR5 5"
Mackie MR8 8"

KRK V12S Series 2



KRK V12S Series 2
12" High Excursion Kevlar Woofer


V Series 2 monitors are hallmarked by defined low end, articulate midrange and precise highs, delivering clarity and accuracy on par with many world-class speakers costing more.

In addition, V Series 2 monitors feature several key design elements that have made KRK sounds a "studio standard". these include radiused edges for improved imaging and slotted ports that greatly reduce distortion caused by port turbulence. What's more, we've included some valuable and practical enhancements like a speaker protection circuit for added confidence, an auto on/off feature for improved convenience and upgraded driver and amplifier components to ensure peak performance in even the most demanding professional environments.

Whether you are making critical mixing decisions or capturing the subtle nuance of a unique sound, you'll quickly discover that the V Series 2 monitors are as precise about your work as you are.

Video Shielding: None
Drivers: 12" High Excursion Kevlar Woofer
Input: XLR
Amplification: 250 watt High Current Amplifier
Adjustable Low Pass Filter + Phase
Fixed High Pass Filter 80Hz
Frequency Response: 29-50 Hz to 130 Hz Variable
Dimensions: 15" x 22" x 20"
38.1cm x 55.9cm x 50.8cm
Shipping Weight: 72 lbs (33 Kg)

KRK V8 Series 2



KRK V8 Series 2
8" Kevlar Woofer


V Series 2 monitors are hallmarked by defined low end, articulate midrange and precise highs, delivering clarity and accuracy on par with many world-class speakers costing more.

In addition, V Series 2 monitors feature several key design elements that have made KRK sounds a "studio standard". these include radiused edges for improved imaging and slotted ports that greatly reduce distortion caused by port turbulence. What's more, we've included some valuable and practical enhancements like a speaker protection circuit for added confidence, an auto on/off feature for improved convenience and upgraded driver and amplifier components to ensure peak performance in even the most demanding professional environments.

Whether you are making critical mixing decisions or capturing the subtle nuance of a unique sound, you'll quickly discover that the V Series 2 monitors are as precise about your work as you are.

Video Shielding: Standard
Drivers: HF 1" Soft Dome Tweeter
LF 8" Kevlar Woofer
Input: XLR & 1/4" TRS Combo
10K Ohm Balanced
Pin 1 + Sleeve = Ground
Pin 2 + Tip = High
Pin 3 + Ring = Low
Amplification: 180 watt Bi-amp with 24dB/octave
Dimensions: 15 7/8" x 11" x 12"
(40.3 x 27.9 x 30.5 cm)
Shipping Weight: 28 lbs (19 Kg)

KRK V6 Series 2



KRK V6 Series 2
6" Kevlar Woofer


V Series 2 monitors are hallmarked by defined low end, articulate midrange and precise highs, delivering clarity and accuracy on par with many world-class speakers costing more.

In addition, V Series 2 monitors feature several key design elements that have made KRK sounds a "studio standard". these include radiused edges for improved imaging and slotted ports that greatly reduce distortion caused by port turbulence. What's more, we've included some valuable and practical enhancements like a speaker protection circuit for added confidence, an auto on/off feature for improved convenience and upgraded driver and amplifier components to ensure peak performance in even the most demanding professional environments.

Whether you are making critical mixing decisions or capturing the subtle nuance of a unique sound, you'll quickly discover that the V Series 2 monitors are as precise about your work as you are.

Video Shielding: Standard
Drivers: HF 1" Soft Dome Tweeter
LF 6" Kevlar Woofer
Input: XLR & 1/4" TRS Combo
10K Ohm Balanced
Pin 1 + Sleeve = Ground
Pin 2 + Tip = High
Pin 3 + Ring = Low
Amplification: 120 watt Bi-amp with 24dB/octave
Dimensions: 13 5/8" x 9 7/16" x 10" (34.6 x 24 x 25.4 cm)
Shipping Weight: 25 lbs (12 Kg)